#1074: Céline Tricart’s SXSW Keynote on Immersive Storytelling, Live Action Role Play, & Emotional Bleed Post date April 1, 2022
#1073: “Liminal Lands” VR Fine Artist Jakob Kudsk Steensen’s Unique Approach to Environmental Storytelling Post date April 1, 2022
#1072: AmazeVR’s 10-city VR Concert Tour with AMC & “Megan Thee Stallion: Enter Thee Hottieverse” + Unique Volumetric Compositing Post date April 1, 2022
#1071: Overview of 16 Winners of Peabody Awards for Interactive & Digital Storytelling & the Process of Going Beyond Fixed Categories Post date March 25, 2022
#1070: How Princeton & Games for Change are Using VR Storytelling to Start Conversations on Nuclear Non-Proliferation with “On the Morning You Wake (To the End of the World)” Post date March 24, 2022
#1069: Forensic Architecture’s Spatial Storytelling Innovations Awarded with Peabody Institution Award Post date March 24, 2022
#1068: “Notes on Blindness” VR Experience Receives a Legacy Peabody Award for Interactive Storytelling Post date March 24, 2022
#1067: Nonny de la Peña Wins a Legacy Peabody Award for Her Work in Immersive Journalism, A Retrospective Interview Post date March 24, 2022
#1066: “Composition” is an Amazingly Delightful Interactive Music Experience Installation with Projection Mapping Post date March 21, 2022
#1065: Translating Her Father’s Holocaust Refugee Journey into VR Memory Domes with “Komez Alef O” Post date March 21, 2022
#1064: Bringing Art History to Life in VR with “(Hi)story of a Painting” Series Post date March 21, 2022
#1064: Indigenous Poet’s Journey from Doc Subject to Co-Writer on Award-Winning VR Story “On the Morning You Wake (To the End of the World)” Post date March 21, 2022
#1062: Exploring Teenage Mental Health in “Weird Times” Animated VR Episodic Series Post date March 21, 2022
#1061: Immersive Theater 1-on-1 Experiments in “Gumball Dreams” VRChat World Adaptation Post date March 21, 2022
#1060: Using VR to Tell Native American Stories with OurWorlds & “Choctaw Code Talkers 1918” Post date March 21, 2022
#1059: Overview of SXSW 2022 XR Experiences & Events with Lead Programmer Blake Kammerdiener Post date March 9, 2022
#1058: Building Blocks of the Metaverse are Interoperable Standards: Summarizing the MetaTraversal Initiative Conversations Post date March 2, 2022
#1057: What Parents Should Know about Social VR, Understanding Social VR Harassment, & Parental Guidance for the Metaverse with Lance G. Powell, Jr. Post date February 26, 2022
#1056: Virtual Virtual Reality 2: Manufacturing Serendipity, Multiple Layers of Story, & Innovative Interaction Design Post date February 10, 2022
#1055: VR Comedy “Flat Earth VR” with Lucas Rizzotto, Lucas Builds the Future YouTube channel, & AR House in LA Post date February 7, 2022
#1054: Immersive Wire Newsletter’s Tom Ffiske on his new book “The Metaverse: A Professional Guide” Post date February 3, 2022
#1053: Decolonizing the History of the India-Pakistan Partition with Embodied Stories of Forced Migration in VR with “Child of Empire” Post date February 2, 2022
#1052: Translating UN Reports into Immersive Stories to Brief World Leaders with “State of Global Peace” Post date February 1, 2022
#1051: Co-Evolution of the Volumetric Performance Toolbox and “Suga” Dance Performance about the Transatlantic Slave Trade in the Caribbean Post date January 31, 2022
#1050: Embedding Indigenous Relationality & Practice of Bearing Witness in “This is Not a Ceremony” 360 Video Post date January 28, 2022
#1049: “Diagnosia”: Environmental Storytelling of a Chinese Internet Addiction Camp Post date January 27, 2022
#1047: Translating Threat of Nuclear Annihilation into Personal Stories in VR with “On the Morning You Wake (to the End of the World)” Post date January 26, 2022
#1046: A 24-Hour Durational Simulation of 100 years of Climate Change Impact on Daintree Rainforest in “Gondwana VR” Post date January 24, 2022
#1045: Process of Shooting a Feature-Length Documentary in VRChat: Director Joe Hunting on “We Met in Virtual Reality” Premiering at Sundance Post date January 21, 2022
#1044: Preview of Sundance New Frontier 2022 with Chief Curator Shari Frilot Post date January 20, 2022
#1043: Philosopher David Chalmers’ Book “Reality+” May Change How You See Reality: VR is a Genuine Reality & We Can’t Prove We’re Not in a Simulation Post date January 11, 2022
#1042: [DocLab] MIT Open DocLab’s William Uricchio on Theory, Practice, & History of Immersive Documentary Post date January 8, 2022
#1041: [DocLab] Michaela French’s Immersive Dome Experiments & Full Dome Creative Network Post date January 8, 2022
#1040: [DocLab] Francesca Panetta’s Journalistic Experiments in New Forms of Storytelling Post date January 8, 2022
#1038: [DocLab] Iranian VR Artist Ali Eslami’s Experiments in Identity & Embodiment Post date January 8, 2022
#1037: [DocLab] Moniker’s Immersive Social Experiments & Emergent Interactivity Post date January 8, 2022
#1036: [DocLab] Victoria Mapplebeck’s Self-Shooting Smartphone Filmmaking, & Immersive Video & Audio Post date January 8, 2022
#1034: [DocLab] Tamara Shogaolu’s “Un(re)solved” AR Installation & Web Interactive on Unsolved Civil Rights Crimes Post date January 8, 2022
#1033: [DocLab] Rahima Gambo’s “A Rest Guide for a Tired Nigerian Artist” Book, Podcast, & Immersive Experience Post date January 8, 2022
#1030: XR Safety Initiative on Children in VR, Privacy, Tech Policy, & Recap of XR Safety Week Post date January 7, 2022
#1029: Breathtaking VR Shots from Space in Latest Episode of Felix & Paul’s Emmy-Winning “Space Explorers: The ISS Experience” Post date December 22, 2021
#1028: Jadu Pivoting from Celebrity Holograms to World-Scale, AR NFT Platform with Jetpack & Hoverboard Wearables Post date December 15, 2021
#1027: Rec Room’s Origin Story, Oral History, & Evolution to Becoming the first VR Unicorn Company Post date December 14, 2021
#1026: Four Quillsfest VR Commissions by Theatre Makers & XR Artists Produced by Oregon Shakespeare Festival, Artizen, & Museum of Other Realities Post date December 9, 2021
#1025: Full-Body Tracked Dance Performance on Identity & Avatar Discrimination in “Exploring Home” with Sara Lisa Vogl Post date December 3, 2021
