#1119: Venice Immersive Preview with Co-Curators + Expanded VRChat World Gallery Exhibition Post date August 29, 2022
#1118: Getting 4000 Users on a Single Virtual World Instance with RP1’s Network Architecture Post date August 29, 2022
#1117: Deconstructing “Voxels (formerly Cryptovoxels)”: Virtual Land Speculation & the Experiential Gap of Crypto-Based Metaverse Neighborhoods Post date August 5, 2022
#1116: Magic Leap’s Origin Story & Goal of “Neurologically-True Reality” with Founder Rony Abovitz Post date July 27, 2022
#1115: Using Multi-Sensory, AR Storytelling at the Mary Rose Cultural Heritage Museum with “Time Detectives AR” Post date July 25, 2022
#1114: Capturing the Lore & Spirit of a Place with the “Living Cities” Digital Twin XR Start-Up Post date July 22, 2022
#1113: Matthew Ball’s “The Metaverse” Book is the Most Comprehensive Description of the Metaverse Stack Post date July 19, 2022
#1112: OpenBCI’s Project Galea Hands-On & Fusion of Biometric & Physiological Data in VR Post date July 7, 2022
#1111: Tribeca XR: Panel on Making a Difference with Immersive Non-Fiction Stories Post date July 7, 2022
#1110: Tribeca XR: Bringing Slow Media & the Tenderness of Now to AR Storytelling with “ReachYou” Post date July 7, 2022
#1109: Tribeca XR: “Planet City VR” is a Speculative Architecture Provocation on Who We Want to Be in the Future Post date July 7, 2022
#1108: Tribeca XR: “LGBTQ+ VR Museum” Curates Touching Objects & Stories & Wins Inaugural Tribeca New Voices Award Post date July 6, 2022
#1107: Tribeca XR: Emoji Gestures & Social VR Watch Party of 360 Video Survey of PoC Artists in Maine with “Exhibition A” Post date July 6, 2022
#1106: Tribeca XR: Story Behind “Zanzibar” Volumetric Doc Shown on Looking Glass Factory’s New 65-inch Holographic Display Post date July 6, 2022
#1105: Tribeca XR: Embodiment Experiments in a Surrealist, Speculative, Feminist Eco-Fiction on Plastics Permeating the Body in “Plastisapians” Post date July 6, 2022
#1104: Tribeca XR: “Evolver” is an Awe-Inspiring Fluid Dynamics Simulation of Human Blood Flow Giving an Embodied Experience of Interbeing Post date July 6, 2022
#1103: Tribeca XR: Translating Unmade Films into Spatialized VR Story Treatments with “Missing Pictures” Post date July 6, 2022
#1102: Tribeca XR: Ethically-Produced MoCap Database & Multi-Media Stories with “Black Movement Library: Movement Portraits” Post date July 6, 2022
#1101: Tribeca XR: AR Rock Operetta & Shakespeare-Villain Origin Story in “Iago: The Green Eyed Monster AR” Post date July 6, 2022
#1100: Looking Glass Factory’s Holographic Displays feel like Magical Portals: Demystifying their Lightfield Display Technology Post date June 23, 2022
#1099: “The Infinite” Location-Based Experience Expands Cinematic VR Footage of the ISS into an Interactive Exploration Post date June 22, 2022
#1098: Metaverse Standards Forum Unites Leading Standards Orgs & XR Companies Towards Open Metaverse Interoperability Post date June 21, 2022
#1089: IEEE Global Initiative on the Ethics of Extended Reality: Trolling, Harassment, and Online Safety Post date June 4, 2022
#1088: Croquet’s Browser-Based, Operating System for the Metaverse: An architectural & philosophical deep dive into real-time collaboration Post date May 20, 2022
#1087: IndieWire Editor Eric Kohn on Deepening Critical Discourse within VR & Immersive Storytelling Post date May 16, 2022
#1086: Anne McKinnon on the Ristband Music Platform going into Alpha, Pixel Streaming, & the Future of Musical Experiences Post date May 16, 2022
#1085: Site-Specific Immersive Audio Piece “Radio Ghost” Changed the Way I See Malls Post date May 16, 2022
#1084: Provocative Spatial Audio Piece “Paradise” Attempts to Blend Too Many Genres Diluting their Impact Message about Domestic Violence Post date May 16, 2022
#1083: “Lustration” Afterlife Detective VR Episodic Series Explores Multi-Perspective Narratives Post date May 13, 2022
#1082 Roman Rappak’s Mixed Reality Live Music Performance & an Art History Perspective on XR + music Post date May 2, 2022
#1081: Using VR to Capture Memories of Home with Sunghwan Lee’s “Ihyangjeong: Carving with Memories” Post date May 2, 2022
#1080: Targo Stories is Pushing Forward Immersive 360 Video Storytelling with “Surviving 9/11: 27 Hours Under the Rubble” Post date May 2, 2022
#1079: New Tribeca Immersive Curator Ana Brzezińska’s Journey into VR & Virtual Event Production with Kaleidoscope VR Post date April 28, 2022
#1078: Multi-perspective LIDAR Timelapse Art with ScanLAB Projects’ “FRAMERATE” to Think and Feel Different Time Scales Post date April 1, 2022
#1077: “Black Ice VR” Sci-Fi Horror Piece Experimenting with Switching Between 3rd Person & 1st Person POVs Post date April 1, 2022
#1076: Live Ballet in VR + Interactive Dance Autotune in “Future Rights” Prototype Post date April 1, 2022
#1075: Stereoscopic Compositing Innovations & “The Choice” Interactive Documentary Exploring Reproductive Rights in Texas Post date April 1, 2022
#1074: Céline Tricart’s SXSW Keynote on Immersive Storytelling, Live Action Role Play, & Emotional Bleed Post date April 1, 2022
#1073: “Liminal Lands” VR Fine Artist Jakob Kudsk Steensen’s Unique Approach to Environmental Storytelling Post date April 1, 2022
#1072: AmazeVR’s 10-city VR Concert Tour with AMC & “Megan Thee Stallion: Enter Thee Hottieverse” + Unique Volumetric Compositing Post date April 1, 2022
#1071: Overview of 16 Winners of Peabody Awards for Interactive & Digital Storytelling & the Process of Going Beyond Fixed Categories Post date March 25, 2022
#1070: How Princeton & Games for Change are Using VR Storytelling to Start Conversations on Nuclear Non-Proliferation with “On the Morning You Wake (To the End of the World)” Post date March 24, 2022
