I interviewed Steye Hallema about La Laguna Parla at Venice Immersive in Venice, Italy on Monday, September 7, 2026.
Here’s all of my Venice Immersive Coversage:
- #1788: Curatorial Overview of Venice Immersive 2026 & Celebrating 10 Years of Immersive Storytelling
- #1792: Venice Immersive 2026 Kickoff: “Solwata” is an Embodied Mixed Reality Documentary on Climate Change
- #1793: “Disneynature’s Wolf” Shows A Bright Future for Immersive Wild Life on Apple Vision Pro
- #1794: An Overview of XR Ecosystem in India from Sonia Parekh
- #1795: “Anokhya: The Origin” Highlights Indian Culture in Immersive Narrative for Apple Vision Pro
- #1796: Acute Immersive Streamlines Distribution for Apple Immersive Video, a Growing Market for XR
- #1797: “Desert Palms” Impressively Adds Participatory Attention to Apple Immersive Video
- #1799: Immersive Story “Ôl (Haunts)” Transports You to Teenage Welsh Nostaligia
- #1800: “Raj’in (We Shall Return)” Uses 360 Video to Document Ethnic Cleansing in Palestinian West Bank
- #1802: Google Funded “Nevatars” Immersive Narrative as a Showcase Piece for XREAL AURA Glasses
- #1803: “Finding Frida” is a Biographical Spatial Documentary of a Forgotten Tapestry Artist
- #1804: “Octopocalypse” Provocatively Uses GenAI on Every Dimension in their Speculative Future Video
- #1805: “Bowie: Unseen Unheard” Combines Bowie Photos with Concert-Quality Spatial Mix by L-Acoustics
- #1806: “Ulrica” is an Experimental Cinematic Installation with Spatialized Music
- #1807: “Galapagos: The Last Eden” is an Immersive Educational Cinematic with Interactive AI
- #1808: “Smithsonian Starstruck” is an Immersive Educational LBE from Fever
- #1809: “Spomyny” is an Immersive Installation about Communicating with Ukrainian Family during War
- #1810: “The White Saboteur” is an Experimental Visual Immersive Art Exploring Collective Agency with Climate Change
- #1814: “Sunset Motel” Combines Thomas Ott’s Amazing Visual Style with Surreal Interpretive Dance Journey
- #1815: “Library of Dreams” Explores Immersive Dream Logic Composites During Authoritarian Times
- #1816: “Honeyboys” is a Fever Dream, Dark Ride about Desire and Consumerism
- #1817: “Yesterday Maybe” is a Beautifully Poetic Spatial Journey about Reckoning with Death
- #1818: “Being in You” is an Experimental, Embodied Theatrical Journey about Death through Relational Rituals
- #1819: “Eyes Of Shame” Asks to Be Questioned about Constraints in Embodied Storytelling. We Have Questions.
- #1820: “Tomori” Uses Mixed Reality Slits to Explore Occlusions in Gender Identity and Family Relations
- #1821: “Outrenoir” is a Poetic Immersive Biopic Journey Through Pierre Soulages’ Creative Evolution
- #1822: “Everest: The First Ascent” is a Well-Told, Character-Driven Immersive Adventure for LBE
- #1823: [2025] ENTR’s Pilot for 17th Century Amsterdam Explores Open World Mechanics Inspired by “Sleep No More”
- #1824: “Amsterdam 1652: The Hands Of The City” is a Character-Driven Historical Journey for LBE
- #1825: “Spymaster” Allows You to Play with Time in Fun Immersive Stealth & Action Adventure Game
- #1826: “Nel Blu” is an Interactive Story that Blends Space Exploration with Childhood Nostaltia
- #1827: VRChat Worlds Gallery Retrospective from Venice Immersive 2026 with Mike Salmon
- #1828: “Back to the Experience” Tells Story of VRChat Culture via Worldhop-Driven Composite Character
- #1829: “Out Of The Ashes” is Masterpiece of Immersive Journalism on California Fires using 3D/4D Gaussian Splats
- #1830: “The Pigeon Ring” Wins Venice Immersive Top Prize with Moving Personal Story and 3D/4D Gaussian Splats
- #1831: The Technical Innovations of “Empire at Sea” in their Story-Driven Mixed Reality Climate Parable
- #1832: “Shifting Connections” Uses VR to Cultivate Emergent Social Dynamics for Shy People
- #1833: Smartphone Orchestra’s Steye Hallema Reflects on the Elemental Design “La Laguna Parla”
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Music: Fatality
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