#1134: Using Text, Imagination, & Psychological Terror in VR with “All Unsaved Progress Will Be Lost” Post date October 10, 2022
#1133: How Funique VR Supervisor Ming-Yuan CHUAN worked on 3 Venice Immersive Competition Pieces Post date October 10, 2022
#1132: Using Group Discussions & Voting on Moral Dilemmas to Tell Buddhist Stories in “Mandala” Post date October 10, 2022
#1131: Unpacking Taiwan’s Immersive Storytelling Innovations with Taiwan Creative Content Agency & Kaohsiung Film Festival Post date October 10, 2022
#1130: Combing Mythical Metaphors, Environmental Design, & Volumetric Cut Scenes in “Stay Alive, My Son” Post date October 10, 2022
#1128: Combining Puzzle Mechanics with Environmental Storytelling in “Mrs. Benz” Post date October 10, 2022
#1127: “Darkening:” A Spatial Memoir on Depression with Voice Interactions & Social Dynamics Post date October 10, 2022
Re-creating Experimental Theatre 1:1 Encounters via 360 video with “All That Remains” Post date October 10, 2022
#1125: Fusing Dance, Fashion, & Immersion with “Dazzle” as a contrast to Camouflage Post date October 10, 2022
#1124: Emotionally-Moving 360 Video on Taiwan’s White Terror “The Man Who Couldn’t Leave” Wins Top Prize at Venice Immersive 2022 Post date September 23, 2022
#1123: Interactive Animation of Polarized City “From the Main Square” Wins 2nd Prize at Venice Immersive 2022 Post date September 23, 2022
#1122: Mixed Reality Platformer “Eggscape” by 3DAR Wins 3rd Place Prize at Venice Immersive 2022 Post date September 23, 2022
#1121: Venice Immersive 2022 Competition Recap: 30+ Reviews of Immersive Stories Post date September 12, 2022
#1120: Kevin Mack’s Procedural Worldbuilding VRChat in for Venice Immersive Competition Post date August 31, 2022
#1119: Venice Immersive Preview with Co-Curators + Expanded VRChat World Gallery Exhibition Post date August 29, 2022
#1118: Getting 4000 Users on a Single Virtual World Instance with RP1’s Network Architecture Post date August 29, 2022
#1117: Deconstructing “Voxels (formerly Cryptovoxels)”: Virtual Land Speculation & the Experiential Gap of Crypto-Based Metaverse Neighborhoods Post date August 5, 2022
#1116: Magic Leap’s Origin Story & Goal of “Neurologically-True Reality” with Founder Rony Abovitz Post date July 27, 2022
#1115: Using Multi-Sensory, AR Storytelling at the Mary Rose Cultural Heritage Museum with “Time Detectives AR” Post date July 25, 2022
#1114: Capturing the Lore & Spirit of a Place with the “Living Cities” Digital Twin XR Start-Up Post date July 22, 2022
#1113: Matthew Ball’s “The Metaverse” Book is the Most Comprehensive Description of the Metaverse Stack Post date July 19, 2022
#1112: OpenBCI’s Project Galea Hands-On & Fusion of Biometric & Physiological Data in VR Post date July 7, 2022
#1111: Tribeca XR: Panel on Making a Difference with Immersive Non-Fiction Stories Post date July 7, 2022
#1110: Tribeca XR: Bringing Slow Media & the Tenderness of Now to AR Storytelling with “ReachYou” Post date July 7, 2022
#1109: Tribeca XR: “Planet City VR” is a Speculative Architecture Provocation on Who We Want to Be in the Future Post date July 7, 2022
#1108: Tribeca XR: “LGBTQ+ VR Museum” Curates Touching Objects & Stories & Wins Inaugural Tribeca New Voices Award Post date July 6, 2022
#1107: Tribeca XR: Emoji Gestures & Social VR Watch Party of 360 Video Survey of PoC Artists in Maine with “Exhibition A” Post date July 6, 2022
#1106: Tribeca XR: Story Behind “Zanzibar” Volumetric Doc Shown on Looking Glass Factory’s New 65-inch Holographic Display Post date July 6, 2022
#1105: Tribeca XR: Embodiment Experiments in a Surrealist, Speculative, Feminist Eco-Fiction on Plastics Permeating the Body in “Plastisapians” Post date July 6, 2022
#1104: Tribeca XR: “Evolver” is an Awe-Inspiring Fluid Dynamics Simulation of Human Blood Flow Giving an Embodied Experience of Interbeing Post date July 6, 2022
#1103: Tribeca XR: Translating Unmade Films into Spatialized VR Story Treatments with “Missing Pictures” Post date July 6, 2022
#1102: Tribeca XR: Ethically-Produced MoCap Database & Multi-Media Stories with “Black Movement Library: Movement Portraits” Post date July 6, 2022
#1101: Tribeca XR: AR Rock Operetta & Shakespeare-Villain Origin Story in “Iago: The Green Eyed Monster AR” Post date July 6, 2022
#1100: Looking Glass Factory’s Holographic Displays feel like Magical Portals: Demystifying their Lightfield Display Technology Post date June 23, 2022
#1099: “The Infinite” Location-Based Experience Expands Cinematic VR Footage of the ISS into an Interactive Exploration Post date June 22, 2022
#1098: Metaverse Standards Forum Unites Leading Standards Orgs & XR Companies Towards Open Metaverse Interoperability Post date June 21, 2022
#1089: IEEE Global Initiative on the Ethics of Extended Reality: Trolling, Harassment, and Online Safety Post date June 4, 2022
#1088: Croquet’s Browser-Based, Operating System for the Metaverse: An architectural & philosophical deep dive into real-time collaboration Post date May 20, 2022
#1087: IndieWire Editor Eric Kohn on Deepening Critical Discourse within VR & Immersive Storytelling Post date May 16, 2022
#1086: Anne McKinnon on the Ristband Music Platform going into Alpha, Pixel Streaming, & the Future of Musical Experiences Post date May 16, 2022
#1085: Site-Specific Immersive Audio Piece “Radio Ghost” Changed the Way I See Malls Post date May 16, 2022
