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Designing for Virtual Reality
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#1184: “Battle for Your Brain” Author Nita Farahany on Establishing Cognitive Liberty as a Human Right for Limits on Neurotechnologies & XR

  • Post date March 9, 2023

#1183: From Kant to an Organic View of Reality: Scaffolding a Process-Relational Paradigm Shift with Whitehead Scholar Matt Segall

  • Post date March 9, 2023

#1182: Recreating Philosophical Moral Dilemmas in VR, the Gamer’s Dilemma, & Virtual Ethics

  • Post date March 9, 2023

#1181: VR Renaissance in Moral Psychology, Perspectival Thought Experiments in Philosophy, & Bounds of Empathy

  • Post date March 9, 2023

#1180: Anti-Trust & Privacy Watchdog Jason Kint Reflects on Ad Ecosystems & XR

  • Post date March 7, 2023

#1179: Discussion of XRSI’s Privacy Framework 1.0 from 2020

  • Post date March 7, 2023

#1178: How the EU’s Metaverse Initiative May Bring XR Privacy Amendments for the AI Act, GDPR, or Digital Markets Act

  • Post date March 7, 2023

#1177: How the EU’s AI Act Could Impact Biometric Data Definitions & XR Privacy

  • Post date March 7, 2023

#1176: XR Privacy Landscape & Data Flows with Future of Privacy Forum’s Jameson Spivack

  • Post date March 7, 2023

#1175: Highlights of Existing Law & Extended Reality Symposium at Stanford Law’s Cyberpolicy Center with Organizer Brittan Heller

  • Post date March 7, 2023
Shot of Palmer Luckey at Oculus Connect 1 on September 19, 2014. Photo by Kent Bye.

#1174: Palmer Luckey on Past, Present, & Future of XR: DK1, Valve Fallout, Why He Got Fired, & XR Projects at Anduril Industries

  • Post date February 24, 2023
Sonya Haskins standing in front of Echo VR ad from Oculus Connect 2019

#1173: Echo VR Reflections from 2019 by Sonya Haskins + My Thoughts of Echo VR Shut Down Announcement

  • Post date February 17, 2023

#1172: “Metaversed: See Beyond the Hype” Book Interview with Luis Bravo Martins and Samantha G. Wolfe

  • Post date February 7, 2023

#1171: XR Association Updates on XR for All Foundation DEI Effort, Tech Policy, & Accessibility

  • Post date February 2, 2023

#1170: Niantic’s Lightship AR Developer Kit Enables Third-Party Devs to Build the Real-World Metaverse

  • Post date January 30, 2023

#1169: IDFA DocLab Founder Caspar Sonnen Reflects on 2022 Program, Industry Trends, and Distribution Challenges

  • Post date December 22, 2022

#1168: “The Anticipation of Rain” Combines Open Brush Landscape VR Painting of a Monsoon with Custom Scents

  • Post date December 22, 2022

#1167: Countering the Bystander Effect of Drug-Induced Sexual Assaults with Interactive Narrative “Missing 10 Hours VR”

  • Post date December 22, 2022

#1166: Sarah Wolozin’s Journey to Directing the MIT Open Documentary Lab

  • Post date December 22, 2022

#1165: XR Installation “Ikhet (Sound Pyramid)” Combines Immersive Sound, Visceral Haptics, & Diffracted Kaleidoscopic Visuals

  • Post date December 22, 2022

#1164: Live XR Sketch Comedy “Bag of Worms” Blends Realities for Surrealist Humor Reflecting on Virtual Violence

  • Post date December 22, 2022

#1163: Live XR Performance Experiments with ONX Studios and DocLab Motion Capture Stage at IDFA 2022

  • Post date December 22, 2022

#1162: Talk on Motion Capture in Immersive Stories + Panel at IDFA DocLab: “Capturing Reality in Motion”

  • Post date December 22, 2022

#1161: The Many Immersive Documentary Innovations of “In Pursuit of Repetitive Beats:” Winner of IDFA DocLab Award for Immersive Non-Fiction

  • Post date December 21, 2022

#1160: Interview with MIT Co-Creation Studio’s Book Authors of “Collective Wisdom: Co-Creating Media with Equity and Justice”

  • Post date December 21, 2022

#1159: “With These Hands” VR Installation Explores Sexual Violence Stories with New Models of Consent for Audience & Production

  • Post date December 21, 2022

#1158: Searching for Post-Colonial Identity in an Experimental Oral Knowledge & Multi-Media Project “Ghana Airways”

  • Post date December 21, 2022

#1157: Capturing the Digital Culture of a Virtual Help Desk for the Elderly in “New Update Available – Version 2.1”

  • Post date December 21, 2022

1156: Winner of IDFA DocLab Digital Storytelling Award “He Fucked the Girl Out of Me” Explores Trauma in 2D Retro Game Walking Simulator

  • Post date December 21, 2022

#1155: Polymorf’s Multi-Sensory “Symbiosis” Explores Speculative Futures Inspired by Philosopher Donna Haraway

  • Post date December 21, 2022

#1154: Visualizing Melting Glaciers in 360 Video Story in “Once a Glacier” + Mixing Motion Capture Dance and Indigenous Poetry

  • Post date December 21, 2022

#1153: Imagining the Future of a 15-year old in 30 years in “Horizon” One-on-One Immersive Theater Piece

  • Post date December 12, 2022

#1152: Provoking Deeper Questions about the Ecological Sustainability of XR Tech with “Okawari VR”

  • Post date December 12, 2022

#1151: Shooting an Immersive Doc the War on Ukraine’s Culture with NowHere Media

  • Post date December 1, 2022

#1150: Innerworld VR: Scaling Peer-to-Peer Counseling & Mental Health Interventions in Social VR

  • Post date November 10, 2022

#1149: Adding Interactivity to glTF via Node Graph-Based Extension as a Step Towards an Open Metaverse

  • Post date November 9, 2022

#1148: Golf+ VR: Making Golf More Accessible & Partnering with Top Golfers & Sports Stars

  • Post date November 4, 2022

#1147: Thirteen Philosophers on the Problem of Opposites: Grant Maxwell’s Integration & Difference Book & Archetypal Approaches to Character

  • Post date October 27, 2022

#1146: Brad Lynch’s Journey as a VR Hardware Analyst: Valve Deckard, Speculative Patent Research, & Hardware Leaks

  • Post date October 18, 2022

#1145: Wrap-up of Meta Connect with 4 Immersive Journalists: Meta Quest Pro Impressions & Meta Reality Labs Research Demos

  • Post date October 16, 2022

#1144: Venice Immersive Panel on The Art of Reviewing Immersive Art and Entertainment

  • Post date October 11, 2022

#1143: VRChat World Builder Fins and his 3 Experiences in Venice Immersive 2022: “Treasure Heist,” “Magic Heist,” and “District Roboto”

  • Post date October 11, 2022

#1142: Scene-by-Scene Breakdown of “Kindred” Exploring Themes of LGBTQ+ Identity and Family

  • Post date October 11, 2022

#1141: Venice Immersive VRChat Worlds Gallery Producer Mike Salmon on Curating the Frontiers of DIY World Building

  • Post date October 11, 2022

#1140: “Fight Back:” Teaching Women Self-Defense Through Interactive Narrative + Hand-Tracking Challenges

  • Post date October 11, 2022

#1139: Rock-Solid Hand-Tracking Interactions in “Rock Paper Scissors” Experience Exploring A Mother-Daughter Relationship

  • Post date October 11, 2022

#1138: “The Miracle Basket” has a DIY Punk Aesthetic with Solid Storytelling about Our Relationship to the Earth

  • Post date October 11, 2022

#1137: My Phantom Touch Experience in Trippy & Hypnotic Hand Tracking Experience “Elele”

  • Post date October 11, 2022

#1136: “Reimagined” Quill Anthology Animation Series Creates New Fairy Tales with Female Protagonists

  • Post date October 11, 2022

#1135: Combining Opera, Theatre, & Long-Distance Walking in VR for “Eurydice: Descent into Infinity”

  • Post date October 11, 2022

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