#1147: Thirteen Philosophers on the Problem of Opposites: Grant Maxwell’s Integration & Difference Book & Archetypal Approaches to Character Post date October 27, 2022
#1146: Brad Lynch’s Journey as a VR Hardware Analyst: Valve Deckard, Speculative Patent Research, & Hardware Leaks Post date October 18, 2022
#1145: Wrap-up of Meta Connect with 4 Immersive Journalists: Meta Quest Pro Impressions & Meta Reality Labs Research Demos Post date October 16, 2022
#1144: Venice Immersive Panel on The Art of Reviewing Immersive Art and Entertainment Post date October 11, 2022
#1143: VRChat World Builder Fins and his 3 Experiences in Venice Immersive 2022: “Treasure Heist,” “Magic Heist,” and “District Roboto” Post date October 11, 2022
#1142: Scene-by-Scene Breakdown of “Kindred” Exploring Themes of LGBTQ+ Identity and Family Post date October 11, 2022
#1141: Venice Immersive VRChat Worlds Gallery Producer Mike Salmon on Curating the Frontiers of DIY World Building Post date October 11, 2022
#1140: “Fight Back:” Teaching Women Self-Defense Through Interactive Narrative + Hand-Tracking Challenges Post date October 11, 2022
#1139: Rock-Solid Hand-Tracking Interactions in “Rock Paper Scissors” Experience Exploring A Mother-Daughter Relationship Post date October 11, 2022
#1138: “The Miracle Basket” has a DIY Punk Aesthetic with Solid Storytelling about Our Relationship to the Earth Post date October 11, 2022
#1137: My Phantom Touch Experience in Trippy & Hypnotic Hand Tracking Experience “Elele” Post date October 11, 2022
#1136: “Reimagined” Quill Anthology Animation Series Creates New Fairy Tales with Female Protagonists Post date October 11, 2022
#1135: Combining Opera, Theatre, & Long-Distance Walking in VR for “Eurydice: Descent into Infinity” Post date October 11, 2022
#1134: Using Text, Imagination, & Psychological Terror in VR with “All Unsaved Progress Will Be Lost” Post date October 10, 2022
#1133: How Funique VR Supervisor Ming-Yuan CHUAN worked on 3 Venice Immersive Competition Pieces Post date October 10, 2022
#1132: Using Group Discussions & Voting on Moral Dilemmas to Tell Buddhist Stories in “Mandala” Post date October 10, 2022
#1131: Unpacking Taiwan’s Immersive Storytelling Innovations with Taiwan Creative Content Agency & Kaohsiung Film Festival Post date October 10, 2022
#1130: Combing Mythical Metaphors, Environmental Design, & Volumetric Cut Scenes in “Stay Alive, My Son” Post date October 10, 2022
#1128: Combining Puzzle Mechanics with Environmental Storytelling in “Mrs. Benz” Post date October 10, 2022
#1127: “Darkening:” A Spatial Memoir on Depression with Voice Interactions & Social Dynamics Post date October 10, 2022
Re-creating Experimental Theatre 1:1 Encounters via 360 video with “All That Remains” Post date October 10, 2022
#1125: Fusing Dance, Fashion, & Immersion with “Dazzle” as a contrast to Camouflage Post date October 10, 2022